Caoimhe Dalton

Visual Artist and Printmaker

Cold Choir

2019.
Pages of varying sizes, approx. 200*50cm.
Charcoal dust on tracing paper.

This large scale ongoing drawing project interrogates the link between the real and the unreal, the representation and the simulation. The work shows bodies huddled together while at the same time remaining forever separated. This idea of 'unreality' is expressed through the uncanny doubling and mirroring of the figure.

2019.
Pages of varying sizes, approx. 200*50cm.
Charcoal dust on tracing paper.

This large scale ongoing drawing project interrogates the link between the real and the unreal, the representation and the simulation. The work shows bodies huddled together while at the same time remaining forever separated. This idea of 'unreality' is expressed through the uncanny doubling and mirroring of the figure.

2019.
Pages of varying sizes, approx. 200*50cm.
Charcoal dust on tracing paper.

This large scale ongoing drawing project interrogates the link between the real and the unreal, the representation and the simulation. The work shows bodies huddled together while at the same time remaining forever separated. This idea of 'unreality' is expressed through the uncanny doubling and mirroring of the figure.

Installation shot at NCAD Graduation show, titled Gloam.
2019.
Pages of varying sizes, approx. 200*50cm.
Charcoal dust on tracing paper.

This large scale ongoing drawing project interrogates the link between the real and the unreal, the representation and the simulation. The work shows bodies huddled together while at the same time remaining forever separated. This idea of 'unreality' is expressed through the uncanny doubling and mirroring of the figure.

In Knots

In Knots

Aaron

Aaron

Aaron

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© 2017 Caoimhe Dalton